Study for a painting

A new painting on the easel currently. I hope the composition is interesting but this is the drawing of the main figure, my wife.

*Updated* Figure drawing #26

Update- I had some time last night so I took a while and improved the figure drawing done a couple weeks ago. I added some darks and smoothed the shading. The drawing becomes necessarily more generic as I worked because the model isn't there and I have no reference except the digital image of the original. I think it helped quite a bit to just take it and focus on the finish without the worries that are rushing through your head as you try to finish in the time that the model is there sitting for you.

Chacoal on paper 18"x24"
original post

figure drawing #22

NuPastel on paper 18"x24"

I wonder if it is ever possible to be truly happy with a figure drawing. Doubt it.

sketchbook #32

My niece after a swim in the pool.

figure drawing #26

Chacoal on paper 18"x24"
Fridays figure drawing which I am pleased with. I feel like my sketchbook drawings are my artistic strong point and I have been trying to get my figure drawings to catch up with them. This one is close. I like how it is tight and accurate around the face and eyes focusing the center of attention then letting the details go as you move out from there. And its accurate but also expressive.
And here is Sam's version.

Dr.Hyde

*Update- it may not come across clearly but the hand in the black area is some hapless victim obscured by his shadow.
Yet another illustration. The Avalanche blog topic is Dr. Jekyll and Mr. Hyde. I had this good idea for a composition but I get so bored trying to do full backgrounds so this is as close as I'll probably get. I hope it's not too dark it looks okay on one screen and dark on another.

Lighting practice

A little practice done after Sam's demo on painting different digital lighting enviroments. It's an old drawing used to do this original painting.

figure drawing -Portrait

This weeks figure drawing turned out really well I though. Full disclosure, the eye was misaligned but rendered well so I moved it slightly in Photoshop.

Illusions

A new illustration for the Weekly Standard. I am really pleased with the lighting in this one and owe it all to a class given by Sam Nielson. I haven't really figured out a lighting scheme before getting started until this painting and I think it really improved the lighting on the animals. I stole the Obama face from a earlier painting so the lighting doesn't quite match but it saved time with the quick turnaround.
I really nailed it on the fairy dust, I don't know why but it may have something to do with my week in Disney World.

charcoal mess

A very messy figure drawing from night school. It's been okay and I enjoy the practice but I am ready to move on.

One tip If you are working with pastel or charcoal do your rubbing with the back of your hand and a paper towel. Rubbing with your fingers should be very limited because the oils seal the area making it nearly impossible to erase anywhere near the original paper color.

Oil painting

18"x24" oil on Board
Finally, a oil painting finished. Now I will celebrate at Disney World.

J.C. Leyendecker

I just bought the coolest Leyendecker book. It is 250 pages of great reproductions which seems to have most of his work. If you don't know Leyendecker you need to see his work(start here, here or here), if you already know Leyendecker you've probably been looking for his work and this book is a great collection.

Thanks to Blake Loosli for the tip.

Girl

14"x18" oil on board.
You may have seen this one if you have been around for a while, but it never got posted. This was painted in 2005 and I really still like it a lot. It is one of those paintings that maybe you get lucky with but it is better then what you are capable of at the time. Though it is a little too tight it has some really nice edges that keep it feeling like an oil painting.

New great artist link; If your not already aware of Lucong he is a fantastic painter with a interesting subdued mood to his work. I like the portraiture that he is able to make accessible. It's not easy to paint a portrait that is appealing to everyone beyond just the subjects family.

keeping a low profile

I think things are getting a little better with my night course. I have figured out how to do just enough of what the teacher wants to keep him off my back, but still do what I want to do. I do think the many gesture drawings that we do is a useful exercise for me. This one was maybe 10-15 minutes, I kind of rush through it to see how far I can get.

What I like about this is that it seems I got a good feeling of weight here.

sketchbook #30

A drawing, following my typical method of a more finished face and loosing detail moving away.

Night school

So I decided I might sign up for a community night school figure drawing class. I love figure drawing, the cost was respectable, and regardless of what I learned from the teacher I could get some time with a live model. Right? Well turns I out it's miserable. The teacher, and I am choosing my words carefully here, is a jerk. He's got nothing but negative comments about anything I do (example: he pointed out that the left hand above was no good and couldn't see the suggestion of a hand in my shape, plus the model moved a lot). I'm in the class with a large group of beginners so I don't think I'm bad comparatively. He's just a jerk.
More importantly, I have no clue how his teaching method is supposed to help. No wonder there are so many untrained artists with teaching methods like this making things more confusing. One thing, I am not high on is overboard study of muscles, this guy is clearly proud of himself because he knows the name of every muscle in the body. I don't really think it is that important. I have a good basic knowledge of the bones and muscles and most of that is thanks to drawing them. I took an anatomy class once which I thought would help, it didn't, instead it was the lowest grade I received in college and a lot of stress. I think I have learned much more through observation of models. I am interested in being able to draw what I see not necessarily what the reason for these shapes are. My philosophy is learn to draw the shapes and masses and you can draw anything regardless of it's interior makeup. When I taught we only had a couple of models, students would ask for others but in my opinion you are learning to draw what you see if you can't draw one model that you are looking at you wont be able to draw a different one(though it may be more interesting for the artist). I am not trying to say it has no place for the study of anatomy but I think people like this get carried away, he can name them but can he draw them?
Chapter 2
Anyway, it is not fun but we'll see if the misery and practice helps my art in the end. You'll probably be seeing more figure drawings because I do a lot.

Flight

So I had more elaborate plans for a background but alas. The challenge with this style was trying to decide which lines to exclude(see drawing here). I also had no reference for the arm and had to make it up along with the bird.

figure drawing #21

A recent figure drawing. I like the shape of the leg.

after Fechin 2

I was looking at some more fantastic drawings of Nicholi Fechin. This is based off one of them, I was trying to copy his long beautiful flowing lines.


Sometimes when I draw, I enjoy ignoring the overall perportions, not really characature just being loose with the shapes. But, this is the lazy way to draw. You need to be careful with it because it's easy to stop measuring and let it become a bad habit.

slouching figure

This figure drawing is a couple years old but I have always really liked it. It is quick and loose but the model really had that slouch that I think is conveyed naturally.

No one ever does figure drawings in these kind of stale, realistic poses. But I like them.

Teddy

An rush illustration done for this weeks The Weekly Standard magazine. I'm glad it was Teddy Roosevelt because its easy to identify him and I thought the idea was great.

Harry Reid is my homeboy

And really, who doesn't like Harry Reid?
A little bit different style here a lot quicker but I like it. It is harder to get a good likeness when you have a lot less detail to use(maybe).

Lines (in progress)

A new painting I have been working on. I thought I would try a more linebased style patterned after Joshua Middleton. It's really heavy on the dramatic lines and I plan some more muted color work underneath.
Again my wife gets to be the model, stay tuned.

figure #19

A recent figure drawing, I focused on the face and got a decent likeness.

Mustache

Check out that mustache.

catalogs

This is a drawing done from a nice pic I found in a catalog. There is nothing better then a little good drawing practice if you don't have good reference I recommend using a magazine or catalog.

Snow monster

This was done for the Avalanche blog, I really tried to push the painting toward completion. I think I have trouble finishing entirely, and it makes a huge difference to have a strong background. I wonder if I should have put more time into the drawing and composition though. I'm not sure I am totally pleased, and it gets hard to finish unless you are sure your happy with it.

And now for something completely different

I think this will be my inaugural insect post. A sketchbook drawing pencil on paper maybe 4".

While visiting Prague and the Alphonse Mucha museum, I saw a breathtaking pencil drawing he had done of berries and leaves. It was so simple but so well done and meticulously detailed. I tried to follow that lead with this bug but my lines are nowhere near as perfect as Mucha's.

Winter

Finally, an oil painting. And a landscape at that. This is a horrible digital image that I will fix eventually, but for now this is what I have.

figure #17

A figure drawing, offered without comment.